Monday, December 08, 2008

Git Your Overalls On And Sip You Some Whiskey, Your Goin' To Buttholeville.



Drive By Truckers

GangstaBilly

1998

Favorite tunes of mine are Panties In Your Purse, Steve McQueen,  and of course, Buttholeville. You'll dig 'em the most.

Review by Bill Peters

The Drive-By Truckers don't need an agenda to be a good band. Sure, Southern Rock Opera more or less anointed the Truckers as a smarter, more attentive Lynyrd Skynyrd, and critics, in turn, made them famous for all the wrong reasons. And while critics tossed around adjectives like "brash" and "raunchy" and dug out their riffs on Southern rock revival and the renovation of country, Gangstabilly, DBT's debut, went largely overlooked. No mock-rock operas or anxious, insistent Southernism here — Gangstabilly keeps its charm by keeping it simple. Whereas post-Pizza Deliverance DBT tended to veer into weathered tailgate-party twang, Gangstabilly is a swamp of mushy drums, scraggly acoustics, and pedal-steel whimper — a catalog of trashy but telling details and broader yet personal pangs. NASCAR, monster-truck rallies, and countless episodes of COPS and America Undercover have melted the South down into a handful of stereotypes. But if frontman Patterson Hood has shown anything, all you have to do to cut through the velvet Elvis/TV rodeo/Haffenreffer muck of white-trash clichés is simply treat them seriously. While DBT retain a campy sensibility to distance themselves from their songs, the Truckers' South doesn't come without its share of loss and hardship. Take "Wifebeater," the album's opener. The title explains it all, but the subject matter is accepted as part of life, rendered like a conventional love song — "Don't go back to him, he's a wife beater." The drums lurch, the pedal steel rises like steam, the harmonies go bullfrog-croak low, and Hood puts you inside a would-be dismissed act of domestic violence. Then, there's "Panties in Your Purse" — a title which tells a whole newly painful story of a night of drinkin' and cheatin' in and of itself. But perhaps more than any song in their back catalog, "The Living Bubba" perfects the Truckers' combination of tough but hurt. Dedicated to the late Atlanta guitarist Gregory Dean Smalley, "The Living Bubba" comes through with an introverted, slowly ascending verse and a chorus you can flick a Bic to. Bottom line: do yourself a favor and don't ignore this album. The sad songs are sad the way you want them to be, the ballsier songs tempered with a little mellow manly pain. After Gangstabilly, the Drive-By Truckers would provide good albums, sure, but they'd be of the Napster-good sort, the buy-it-used sort. But for a brief moment, the Drive-By Truckers created something whose praise wouldn't come by default, that wouldn't play immediately into critics' expectations. Gangstabilly was a thankless job, but a good one.

  1 Wife Beater
  2 Demonic Possession 
  3 The Tough Sell  
  4 The Living Bubba  
  5 Late for Church  
  6 Panties in Your Purse  
  7 Drive By Truckers  
  8 Why Henry Drinks
  9 18 Wheels of Love
  10 Steve McQueen
  11 Buttholeville  
  12 Sandwiches for the Road
  13 Drive By Truckers

http://rapidshare.com/files/171546180/Drive_By_Truckers_-_Gangstabilly.rar

Drive By Truckers


Not just a cool music video but an interesting view on all the work that goes into making a guitar.

Here Kitty, Kitty


Five Horse Johnson

Fat Black Pussy Cat

2000

Ripped @ a crankin' 320

Biography by Charles Spano

Five Horse Johnson comes straight out of Toledo, OH, with big riff, get down, rootsy, middle American rock & roll that takes acid blues and Led Zeppelin and mixes in influences like the Black Crowes, Lynyrd Skynyrd, Aerosmith, and ZZ Top.

The band -- made up of Eric Oblander on harps and vocals, Brad Coffin on guitar, Steve Smith on bass, and Mike Alonso on drums -- got together in 1995 and began opening for acts like War, Southern Culture on the Skids, Atomic Bitchwax, the Queens of the Stone Age, and R.L. Burnside. In 1998, they released Double Down. The critically acclaimed Fat Black Pussycat followed in 1999 and The No. 6 Dance came out on Small Stone Records in 2001.

Review by Tom Schulte

The logo of the Chevy Super Sport cars, popular as hot rods, inspires Small Stone's logo. The band in the roster that probably best combines these elements of monster guitars and muscle cars is Five Horse Johnson. The group's Fat Black Pussy Cat is their unabashed, entirely successful celebration of a bold, giant '70s Southern rock sound. It is a big sound of power blues and attitude. 

  
   
   
   
  1 Lightning When I Need
  2 Fly Back Home 
  3 So Low
  4 She Don't Know  
  5 Sermons in the Yard  
  6 Say We Can  
  7 Bleachin' Bones  
  8 I Cried  
  9 Dead Language  


http://rapidshare.com/files/171538525/Five_Horse_Johnson_-_Fat_Black_Pussy_Cat.rar

Right Up Your Alley


Gary Hoey

Bug Alley

1996

Bug Alley continues the line of great Gary Hoey instrumental guitar albums and the production is superb (the drums and guitar sounding particularly strong). Bug Alley is solid from top to bottom, and contains another phenomenal set of cover tunes, the Peter Green/Santana classic  "Black Magic Woman" and Dylan's "Gotta Serve Somebody." 

  1 Desire
  2 Tribal War Babies  
  3 Black Magic Woman  
  4 Yeah  
  5 Bug Alley
  6 Peace Pipe  
  7 Gotta Serve Somebody  
  8 Karma Climb  
  9 Moustache Muchacho
  10 Coasting  
  11 The Green Room

http://rapidshare.com/files/171522991/Gary_Hoey_-_Bug_Alley.rar

She Talks In Stereo


Gary Myrick & The Figures

1980

Biography by Steve Huey

Dallas-born singer/guitarist/songwriter Gary Myrick blended rootsy rock & roll with the energy and sensibility of new wave on several '80s albums and later made a surprising comeback in the late '90s. Myrick was playing around the Dallas/Fort Worth area with his own bands straight out of high school; in his early twenties, he moved to Austin to join a band called Kracker Jack, which featured two ex-members of Johnny Winter's band and whose guitarist (one Stevie Ray Vaughan) had recently quit. Myrick moved to California after a couple of years, and formed his own outfit called the Figures. They landed a deal with Epic and issued their debut album, Gary Myrick & the Figures, in 1980; it produced a minor cult hit in the single "She Talks in Stereo." The follow-up, Living in a Movie, was released in 1981, but after the supporting North American tour, Myrick decided to disband the Figures in pursuit of a different approach. 

The solo EP Language appeared in 1983, after which Myrick hooked up with John Waite and contributed to his 1984 pop breakthrough No Brakes. After one more album, 1985's Stand for Love, Myrick chose to concentrate on a career as a session musician for a time. In 1991, Myrick joined former Clash bassist Paul Simonon and drummer Nigel Dixon (of the British rockabilly revival group Whirlwind) in a new band called Havana 3AM. Mixing Texas roots rock with punk flavor, the group recorded a self-titled debut and toured Europe, North America, and Japan. However, Simonon left to pursue an art career not long after, and sadly, Dixon passed away due to cancer. Myrick eventually regrouped the band with bassist Tom Felicetta and drummer Jamie Chez; this lineup issued the generally well-received Texas Glitter and Tombstone Tales in 1996. Myrick followed it five years later with the reflective, Tchad Blake-produced Waltz of the Scarecrow King.

  1 Living Disaster   
  2 Ever Since the World Began
  3 She Talks in Stereo   
  4 Model   
  5 She's So Teenage   
  6 You   
  7 Meaningless  
  8 Who'll Be the Next in Line   
  9 Deep in the Heartland

http://rapidshare.com/files/171516573/Gary_Myrick___The_Figures.rar

Sunday, December 07, 2008



The Black Keys

Live at Lollapalooza 2007

Add this one to fill out your collection. All of the other Black Keys albums are posted on the hip and fantastic "The Garage Brothers" site  (link on the right sidebar) You can't go wrong with any of these.

Biography by Richie Unterberger


The two-man duo comprising the Black Keys, singer/guitarist Dan Auerbach and drummer Patrick Carney, were in their early twenties when their debut, The Big Come Up, was issued in 2002. From Akron, OH, they play close-to-the-bone, raw blues-rock, the only instrumentation being Auerbach's guitar, Carney's drums, and the occasional organ. Auerbach had a fine, mature, lived-in blues voice for one so young, and the group's material worked in funk, soul, and rock influences from the likes of Jimi Hendrix and James Brown that avoided undue repetition of the overdone chord progressions and stock riffs common to so many such acts. Before the year's end, the band inked a deal with Fat Possum. The Black Keys' second album, Thickfreakness, was recorded in 14 straight hours one day in 2002. To prepare for its April 2003 release, the duo was handpicked by Sleater-Kinney as the opening act for their winter tour of North America. Rubber Factory followed in 2004 and earned notices as one of the best records of the year. A live DVD arrived in 2005, followed by the Chulahoma EP and the full-length Magic Potion in 2006. Three years later, the Keys issued the Danger Mouse-produced Attack & Release, an album rumored to have originally been planned as a collaboration between the duo and Ike Turner prior to Turner's death in December 2007.


Intro

Girl Is On My Mind

Just Got To Be

10am Automatic

The Breaks

Stack Shot Billy

Busted

Set You Free

Everywhere I Go

Your Touch

Grown So Ugly

I Got Mine

No Trust

Have Love, Will Travel

http://rapidshare.com/files/167139841/Live___Lollapalooza_2007.rar

Friday, December 05, 2008

Good Bye and Rest In Peace Uncle Forry


Forrest Ackerman introduced many a youngster to the wonderful world of Monsters. For this I will always be thankful. RIP

LOS ANGELES – Forrest J Ackerman, the sometime actor, literary agent, magazine editor and full-time bon vivant who discovered author Ray Bradbury and was widely credited with coining the term "sci-fi," has died. He was 92.


Ackerman died Thursday of heart failure at his Los Angeles home, said Kevin Burns, head of Prometheus Entertainment and a trustee of Ackerman's estate.

Although only marginally known to readers of mainstream literature, Ackerman was legendary in science-fiction circles as the founding editor of the pulp magazine Famous Monsters of Filmland. He was also the owner of a huge private collection of science-fiction movie and literary memorabilia that for years filled every nook and cranny of a hillside mansion overlooking Los Angeles.

"He became the Pied Piper, the spiritual leader, of everything science fiction, fantasy and horror," Burns said Friday.

Every Saturday morning that he was home, Ackerman would open up the house to anyone who wanted to view his treasures. He sold some pieces and gave others away when he moved to a smaller house in 2002, but he continued to let people visit him every Saturday for as long as his health permitted.

"My wife used to say, 'How can you let strangers into our home?' But what's the point of having a collection like this if you can't let people enjoy it?" an exuberant Ackerman told The Associated Press as he conducted a spirited tour of the mansion on his 85th birthday.

His collection once included more than 50,000 books, thousands of science-fiction magazines and such items as Bela Lugosi's cape from the 1931 film "Dracula."

His greatest achievement, however, was likely discovering Bradbury, author of the literary classics "Fahrenheit 451" and "The Martian Chronicles." Ackerman had placed a flyer in a Los Angeles bookstore for a science-fiction club he was founding and a teenage Bradbury showed up.

Later, Ackerman gave Bradbury the money to start his own science-fiction magazine, Futuria Fantasia, and paid the author's way to New York for an authors meeting that Bradbury said helped launch his career.

"I hadn't published yet, and I met a lot of these people who encouraged me and helped me get my career started, and that was all because of Forry Ackerman," the author told the AP in 2005.

Later, as a literary agent, Ackerman represented Bradbury, Isaac Asimov and numerous other science-fiction writers.

He said the term "sci-fi" came to him in 1954 when he was listening to a car radio and heard an announcer mention the word "hi-fi."

"My dear wife said, 'Forget it, Forry, it will never catch on,'" he recalled.

Soon he was using it in Famous Monsters of Filmland, the magazine he helped found in 1958 and edited for 25 years.

Ackerman himself appeared in numerous films over the years, usually in bit parts. His credits include "Queen of Blood," "Dracula vs. Frankenstein," "Amazon Women on the Moon," "Vampirella," "Transylvania Twist," "The Howling" and the Michael Jackson "Thriller" video. More recently, he appeared in 2007's "The Dead Undead" and 2006's "The Boneyard Collection."

Ackerman returned briefly to Famous Monsters of Filmland in the 1990s, but he quickly fell out with the publisher over creative differences. He sued and was awarded a judgment of more than $375,000.

Forrest James Ackerman was born in Los Angeles on Nov. 24, 1916. He fell in love with science-fiction, he once said, when he was 9 years old and saw a magazine called Amazing Stories. He would hold onto that publication for the rest of his life.

Ackerman, who had no children, was preceded in death by his wife, Wendayne.

Did Coldplay copy Joe Satriani?

Wednesday, December 03, 2008

Joe Satriani - Surfing with the Alien

I've seen Joe live at least a dozen times now and this still gets my chest a thumpin'.

Something Special


Joe Satriani

Surfing With The Alien

1987

Remastered       @320

Biography by Greg Prato

Along with teaching some of the top rock guitar players of the '80s and '90s, Joe Satriani is one of the most technically accomplished and widely respected guitarists to emerge in recent times. Born on July 15, 1956, in Westbury, NY, and raised in the nearby town of Carle Place, Satriani -- inspired by guitar legend Jimi Hendrix -- picked up the guitar at the age of 14 (although he was initially more interested in the drums). Quickly learning the instrument, Satriani began teaching guitar to others and found a kindred spirit in one of his students, Steve Vai. By the late '70s, however, Satriani had relocated to Berkeley, CA. With his sights set on his own musical career, "Satch" kept teaching others, including such future rock notables as Kirk Hammett (Metallica), Larry LaLonde (Primus), David Bryson (Counting Crows), and jazz fusion player Charlie Hunter. 

In the early '80s, Satriani got a gig playing guitar with power popster Greg Kihn, doing some session work and touring with the group (an archival release recorded around this time, King Biscuit Flower Hour, was later issued in 1996), and issuing his own solo self-titled EP in 1984, financing and releasing the project entirely on his own. But when Vai hit the big time as the guitarist of David Lee Roth's solo band in 1986, he offered praise for his good friend and former teacher in several major guitar publications, leading to widespread interest in Satriani's playing. The timing couldn't have been more perfect for Satch, as he'd just issued his first full-length solo album, Not of This Earth, which automatically made ripples in the rock guitar community. 

But the best was still to come, in the form of his sophomore release, 1987's Surfing with the Alien. Almost overnight, Satriani was widely regarded as one of rock's top guitarists, as the album earned gold certification and the guitarist would finish at the top of guitar magazine polls for years afterward. He was even handpicked by Mick Jagger to accompany the famous singer on a tour of Australia and Japan around this time. A stopgap EP, Dreaming #11, combed both studio and live tracks and was issued a year later, and in 1989, Satriani issued his third solo full-length, Flying in a Blue Dream. Another sizeable hit, the album also marked Satch's debut as a vocalist on several tracks. His career received another big push the same year when his song "One Big Rush" was included on the soundtrack to Cameron Crowe's hit movie Say Anything. 

The '90s began with Satriani creating his own line of guitars for the Ibanez company (the JS Joe Satriani model), but it wasn't until 1992 that he would issue his next solo release, The Extremist. The double-disc set Time Machine followed a year later (a combination of new tracks, live material, and the long out-of-print Joe Satriani EP from 1984), and in 1994, Satch filled in on tour for the departed Ritchie Blackmore for heavy metal pioneers Deep Purple. Although he was asked to become a full-time member, Satriani turned down the offer to return to his solo career. 

Satriani issued two more solo albums during the '90s -- 1995's self-titled release and 1998's Crystal Planet -- and also started the G3 guitar showcase tour with Vai in 1996, becoming an annual event and issuing a live document of the tour's initial run, G3: Live in Concert, a year later. 2000 saw Satriani issue his most musically daring release yet, the electronic-based Engines of Creation, and a year later, Live in San Francisco. Engines was nominated for a Grammy the next year, and after a successful tour he stepped back into the studio. The result, Strange Beautiful Music, was released in 2002. Electric Joe Satriani: An Anthology arrived in 2003, followed by Is There Love in Space? in 2004, Super Colossal in 2005, and Satriani Live! in 2006. In addition to his own albums, Satriani has guested on several other artists' albums over the years, including Blue Öyster Cult's Imaginos, Alice Cooper's Hey Stoopid, Stuart Hamm's Radio Free Albemuth, Pat Martino's All Sides Now, and Spinal Tap's Break Like the Wind.

Review by Stephen Thomas Erlewine

Surfing with the Alien belongs to its era like Are You Experienced? belongs to its own -- perhaps it doesn't transcend its time the way the Jimi Hendrix Experience's 1967 debut does, but Joe Satriani's 1987 breakthrough can be seen as the gold standard for guitar playing of the mid- to late '80s, an album that captures everything that was good about the glory days of shred. Certainly, Satriani was unique among his peers in that his playing was so fluid that his technical skills never seemed like showboating -- something that was somewhat true of his 1986 debut, Not of This Earth, but on Surfing with the Alien he married this dexterity to a true sense of melodic songcraft, a gift that helped him be that rare thing: a guitar virtuoso who ordinary listeners enjoyed. Nowhere is this more true than on "Always with Me, Always with You," a genuine ballad -- not beefed up with muscular power chords but rather sighing gently with its melody -- but this knack was also evident on the ZZ Top homage "Satch Boogie" and the title track itself, both of which turned into rock radio hits. This melodic facility, plus his fondness for a good old-fashioned three-chord rock, separated Satriani from his shredding peers in 1987, many of whom were quite literally his students. But he was no throwback: he equaled his former students Steve Vai and Kirk Hammett in sweep picking and fretboard acrobatics and he had a sparkling, spacy quality to some of his songs -- particularly the closing stretch of the Middle Eastern-flavored "Lords of Karma," the twinkling "Midnight," and "Echo" -- that was thoroughly modern for 1987. The production of Surfing with the Alien is also thoroughly of its year -- stiff drumbeats, sparkling productions -- so much so that it can seem a bit like a relic from another era, but it's fine that it doesn't transcend its time: it captures the best of its era and is still impressive in that regard. 

  
   

  1 Surfing with the Alien  
  2 Ice 9  
  3 Crushing Day
  4 Always with Me, Always with You
  5 Satch Boogie  
  6 Hill of the Skull  
  7 Circles  
  8 Lords of Karma
  9 Midnight
  10 Echo

http://rapidshare.com/files/169581783/Surfing_With_The_Alien.rar

Finally



The Dog's Bollocks of American R&R Instrumentals

Vol 4

http://rapidshare.com/files/169064744/DogFour.rar

Still More



The Dog's Bollocks of American R&R Instrumentals

Vol 3

http://rapidshare.com/files/157597808/Dog_s_Bollocks_Vol_3.rar

More



The Dog's Bollocks of American R&R Instrumentals

Vol 2

http://rapidshare.com/files/157597807/Dog2.rar

The Name Says It All



The Dog's Bollocks of American R&R Instrumentals

Vol 1

http://rapidshare.com/files/157310946/Dog_s_Bollocks__Vol_1.rar

Thursday, November 20, 2008

If You're Going Surfing This Weekend Make Sure To Check This Surf Report


Surf Report

Supersonic Salvation

2002

In beautiful 320 presented by Senor Teisco del Mar

Formed in 1994, Surf Report reigned the Southern California surf music scene for ten years. During that time they released four full length CD's, toured the west coast and southwest United States and were billed with such greats as Link Wray, Dick Dale, the 5 6 7 8's, Buck-o-Nine, and Los Straightjackets to name a few. Surf Report was featured on radio shows worldwide, M-TV's "The Real World," performed live at pre-game parties for tens of thousands of San Diego Chargers' fans, christened the brand new stadium at opening day at Pet-Co park for the San Diego Padres, and were pleased to provide local radio stations with the San Diego Charger's fight song. In 2000, Surf Report was voted the Number 1 Rock Band in San Diego in the San Diego Reader's Poll, and was nominated for a San Diego Music Award in 2002.

Led by blues guitarist Ruhar, and aptly supported by double-picking prince of the surf guitar (yes, Dick was the King) Rick, Surf Report made immediate strides with the help of the ever tight and consistent rhythm section made up by Vince Mack on bass and Mr. E on Drums.

In September of 2004, Rick departed to pursue other ventures and Surf Report disolved. However, the songs remain and feeling is alive!

1 Sandpaper Paddles
2 Ramadan
3  3 Rolled Tacos
4 Tanner
5 Trainwreck
6 Suckerpunch
7 Off the Richter
8 Bluff Failure
9 Landslide
10 Bite the Hand that Feeds, Part 2
11 Ace of Spades

http://rapidshare.com/files/165864147/Surf_Report_-_Supersonic_Salvation.rar

Friday, November 14, 2008

Lost But Found Again!

For those of you who check out the right hand side of this blog you might have noticed or missed that MP3MixJensonBrazil has been MIA. He was deleted but now is back on track again. Stop on by for an eclectic mix of old and new. He always makes it worth the stop.

T

Tuesday, November 11, 2008

Lost Again???


Lost Acapulco
Lost Acapulco 4

Inyecciones lisérgicas 100% surf para tu sistema nervioso. Una divertida travesía musical, en busca del Acapulco perdido que todos añoramos. Album recomendado y !!adicción garantizada!! y un clásico del surf mexicano que tiene su continuación en el nuevo “Acapulco Golden” que saldrá en este 2004.



Mpm (La Quebradora)
(Don'T Slander Me) Somos Lost Acapulco
Las Brisas
Ven Perrita
Incidente En La Calle Dakota
Mi Sin Goggles
Ultramantra Master-Blaster-Dragster - Disaster In A Gangster Hotel
El Garage De Gina Monster
Camarena
Surfin' Bird
!A Huevo!
Vampiro




http://rapidshare.com/files/161348691/Lost_Acapolco_4.rar

Trustar's Other Guitar Hero

The Pyronauts, Lightin' Up The Pit


The Pyronauts
Live From The Pit
2004


Band History

The band started out at Colfax High School in the 10th grade. Fire Arm, the name back then, was formed in Room 403 sometime in the winter or spring. Paul and Leigh came up with Fire Arm, don't ask why (because no one knows), and asked Bob Butler and Gabe Pramuk to join to make a foursome. Gabe played bass, Leigh played the drums, and Bob and Paul tried to play guitar. As time went on the sound of Fire Arm transformed from grunge and noise to instrumental surf. With a new drummer, Chris Hine, one year after Fire Arm formed their name was changed to The Pyronauts. In The Pyronauts Paul and Bob grew to become actual guitar players and are the only original Pyronauts left. However, Leigh rejoined the band for a short stint, but he was not an original Pyronaut, he was an original Fire Arm. Sean Brown took over at bass guitar when Gabe moved to Santa Cruz for college. After 6 wonderful months with Sean, Tim Hunter stepped up to the challenge of filling Sean's spot when Sean went away for college. Drummer Jeremy O'Dell moved into Leigh's position when Leigh decided to move on to college at Humbolt State. The next departure from the band was bass player Tim. Brett Cole, a bass player for about 4 weeks, has taken over. Drummer Jeremy and The Pyronauts parted ways in June on 2002 and Leigh came back to the band once again filling in here and there until drummer Pan Smith took over. Pan spent over 2 fine years (longer than any other drummer) with the band and traveled to San Diego, Los Angeles, and San Francisco many times with the group. PanMan recently moved his family to Montana! Good Luck Pan! Currently the band alternates between Ty Smith and Tim Stephenson on drums. Ty is a drum teacher and professional drumist/drumographer/drum-man. Tim also teaches drums and is studying Jazz at CSU Sacramento. Together Paul, Bob, Brett, and Ty/Tim make up the one of the hardest working bands in the Sacramento area: THE PYRONAUTS!


Ghastly Stomp
Mohawk
Beach Bum
Lake Surfin
Mike's Barracuda
Surfer Girl
The Fury
Mr. Moto
Walk, Don't Run
Boogieman
4Q
Surfer Dave
Amazing Wave
Under Toe
Endless Summer
Peter Gunn
Hunter Beach
Vlad The Surfer
Miserlou
The Lonely Surfer
Necronomicon Ex Boardis

http://rapidshare.com/files/162824173/The_Pyronauts_-_Live_From_The_Pit.rar

Thursday, November 06, 2008

When You Feel Life Is Dumping On You

A great message of hope to all.
"I can't" = won't
"I can" = endless possibilities